FICSAM 20__
FESTIVAL INTERNACIONAL DE CINEMA E SAÚDE MENTAL
Site Title
A NORMAL STORY | MICHELE VANNUCCI | DOCUMENTÁRIO | ITALIA | 2015 | 16
Às vezes, os encontros ocorrem, que podem alterar a percepção que temos sobre a vida. Encontros, em que nenhuma ligação aparente nos liga para a pessoa que temos diante de nós, mas com quem nos sentimos instintivamente íntimo. Nos últimos dois anos, passei muito tempoo no bairro de onde ele vem (a última capa em Roma antes do grande anel viário que circunda Roma, como ele repete com orgulho) sem entender o porquê. Só agora eu entendo que sua história era na verdade a meu, vista em mundos completamente diferentes.
Sometimes, encounters occur that can change the perception we have on life. Encounters, in which no apparent bond links us to the person we have in front of us, but with whom we feel instinctively intimate. In the last two years I have often spent time in the neighborhood he comes from (the last hood in Rome before the great ring road that encircles Rome, as he repeats proudly) without ever understanding why. Only now do I understand that his story was in fact mine, declined in completely different worlds.
AFRODITE | GONÇALO NOBRE DE ALMEIDA | FICÇÃO | PORTUGAL | 2015 | 10 | UNIVERSIDADE LUSOFONA
Friederich procura a mulher ideal. Refletindo sobre o conceito da busca e o seu propósito.
ALICE| JOSE EVANGELISTA | ANIMAÇAO | PORTUGAL | 2016 | 11
ALICE | JOSÉ EVANGELISTA | ANIMAÇÃO | PORTUGAL | 2016 | 11
Alice is a journey through the capture, torture and death of 19-year-old lady, student of Germanic languages at the University of Lisbon made by PIDE the intelligence police during the dictatorship in Portugal.
Occurs, that she is captured for being interrogated in order to know where her fiancé Manuel is, accused as a Communist and terrorist attacks.
The other side of the story is the aggressor profile, whose the only purpose, is defend a regime or ideology (political or religious), which not certainty known and neither regardless of the damage for that reason, may be caused to compatriots, family, lifetime friends, colleagues, children, etc.
This video does not focus on any political or religious issue, we use the short story of Rosa Vieira Guedes for illustrate the effects equal to a man than a woman of violence by terror and the violation of human dignity and integrity for several reason, to all of us, anywhere and anytime in history. * * *
13 de Março de 1974 - written by: Rosa Vieira Guedes
BEYOND THE BLUE | ELENA SALA DEL REAL | FICÇÃO | 2015 | 15
Henry gets lost in a crowded fair. Unaware of the potential danger of his situtation, Henry stares amazed at everything around him, but one element gets his full attention: the big carousel. As he is absorbed by this image, someone runs towards him: Ann, a woman that takes Henry home where she looks after his well-being.
Beyond the Blue reflects on the importance of childhood and the problem that these characters encounter in their lives: the absence of the father.
BICICLETA | HENRIQUE GUERREIRO | UNIVERSIDADE LUSÓFONA 2016 | 11
“Bicicleta” narra um episódio da vida de um jovem, que devido a um desgosto amoroso, parte numa viagem sem destino com o único propósito de descobrir a sua felicidade interior através do isolamento e do contacto com a natureza. Ao longo da sua viagem, com uma bicicleta e de mochila às costas, depara-se com Rosa, uma jovem que, também ela, se encontra numa aventura.
‘Bicicleta’ follows a life event of a teenage boy who, suffering from a broken heart, sets off on a journey without destination in search of inner happiness through isolation and contact with nature. During his trip on a bicycle with a bag on his back he comes across Rosa, another teenager in the midst of an adventure.
WebSite da curta metragem :
http://www.bicicleta.16mb.com/
Facebook da curta :
https://www.facebook.com/Bicicleta-1650813778502130/
BUENAS NOCHES MI AMOR | MARIA TOMSIG | FICÇÃO | ARGENTINA | 2015 | 6
BUENAS NOCHES MI AMOR | MARIA TOMSIG | FICÇÃO | ARGENTINA | 2015 | 6
Endless sleepless nights alter the state of a woman you need to reconcile your dreams.
CAMREX | MARK CHAPMAN | DOCUMENTÁRIO | REINO UNIDO | 2015 | 15
Camrex House is a notorious homeless hostel that for 40 years has upheld a fearsome reputation. Its skewed, in-house morality perpetuated by men with complex histories.
Based on interviews with hostel residents, CAMREX constructs a series of unflinchingly visceral sequences that reveal a hidden world of untold stories.
Housing and welfare cuts in the UK have meant a rise in demand for shared accommodation and homelessness. Yet the experiences of residents in hostels are largely unknown (particularly privately run hostels). I wanted to explore the impact of the hostel environment on the men who lived there. I went to Camrex Hostel eager to explore the characters and stories as a photography project. However, I soon found that there were certain images, stories and atmospheres I couldn’t capture in the photos and moving image offered me that possibility. I didn’t want it to just be an unrelentingly grim piece about desperate people in a desperate place. It would be easy to produce an exploitative film in that environment. I wanted to make something that used the expressive tools of cinema to craft an intimate, visually-led and atmospheric film.
Research carried out at Northumbria University (where I also work), ‘found several properties occupied by vulnerable men with high incidences of alcohol dependency and poor physical and mental health.’ (Irving, 2015) Camrex was a wet hostel -meaning cheap alcohol could be purchased on the premises day and night- so some of the residents never left the building. An environment populated by men with varying and complex needs living side by side and without boundaries. The poor conditions, constant threat of violence and lack of control over their environment all impacted the residents’ mental health. This is personified by the lead character in CAMREX, Derek; a man whose family life suddenly fell apart. Derek’s erratic behaviour made him an outcast in a place for outsiders. Seldom engaging with appropriate mental health services, he instead lapsed into drug-dependency in order to cope.
The film's sister photographic project can be found here: mark-chapman.co.uk/three/
CAPGRAS | RUTH CHEREM EDIEGO SANCHEZ NICOLAS | FICÇÃO | MEXICO | 2015 | 9
The life of a happily married couple is disrupted when Daniel wakes up with the feeling that an identical impostor has replaced his wife, Laura. As he dives deeper into the mystery, dark secrets from the past will turn his life upside down.
Ruth se forma como directora en la universidad Centro (México DF) ademas ha estudiado en Nueva York ( NYFA) y en Cuba (EICTV) En el 2012 se desarrolla como 2do asistente de dirección en el filme Medeas (Festival Internacional de Cine de Venecia). En el 2015 se va a Inglaterra como 1er asistente de dirección en el filme Stones. Ahora estrena su primer cortometraje Capgras como co-directora con Diego Sánchez.
Ruth Cherem Daniel (b. 1989, Mexico City) is a filmmaker with a BA in Filmmaking and TV Production from the CENTRO School of Design, Film and Television in Mexico City. During the summer of 2012, she worked on the feature film MEDEAS as a 2nd Assistant Director. After graduating film school, she completed a film and television director course in Cuba, at the EICTV, and participated as a 1st Assistant Director in the feature film STONES, shot in London, UK. She recently wrote and directed the short film CAPGRAS, which is now scheduled to screen at various international film festivals.
''Como gostaria que cuidassem de si, se tivesse doença de Alzheimer ou outro tipo de Demência?''
Maio de 2016, Estremoz
Agir no Tempo - Associação de Apoio a Demências.
CONSCIENCE | JESSICA WILLIAMS | REINO UNIDO | FICÇÃO | 2015 | 18
Su madre pasa de estar enfadada a feliz en un abrir y cerrar de ojos, pero un día Ella y no aguanta más y le toca tomar una decisión difícil
Her mother swings from anger to domestic bliss at the flip of a switch, but one day it all gets too much for Ella and she has to make a difficult decision.
Jessicia Williams is an aspiring director/writer and a recent graduate from the internationally renowned Northern Film School in Leeds. Mental health issues are close to her heart and Conscience is her second short film where the themes revolve around this topic. She hopes that an audience upon seeing Conscience will take away a new perspective on those dealing with mental illness, that it is a difficult hand to be dealt and we can all contribute in making mental health something to be discussed with open minds
CTRL | RUI ANTÓNIO | FICÇÃO | 2014 | PORTUGAL | 9
Given a console there is an aesthetic excitement represented by the fiction that seems real. These allow live desires and fears in a controlled manner. But it is a false control. The consoles can operate with pre-programmed instructions that provide a fixed set of alternatives, giving the user a sense of control. Thus, one can pose the question: is the user who controls the console or a console that controls the user?
The film is about this duality between control and be controlled, among manipulate and be manipulated.
biography:
Born in 1973 in Germany.
Master degree in Production, Editing and Communication of Multimedia Content from the University of Algarve.
Teaches the disciplines of Photography and Multimedia in public education.
Directed the short film "Mister Valéry" the homonymous work by Gonçalo M. Tavares. "Mr. Valéry" had its first public performance at Fnac Chiado in Lisbon with live soundtrack by Carlos Bica. Among other awards this film won first place at the festival Farcume 2012.
He has also made several micro-short films and won the first prize at the one minute festival in Brazil with the film "The Bicycle", based on "Short Movies" by Gonçalo M. Tavares.
More recently made three documentaries about the Algarve mountains for the Performing Arts Center of the Algarve with the meetings of DeVir 2012.
In the two last years, directed the shorts “Lúcio” and “Planets aren’t going anywhere” selected and shown in Fantasporto Festival 2013 and 2014 respectly.
Site Title
CUATRO DIAS DE OCTUBRE | ÁLVAR ANDRES ELIAS | FICÇÃO| ESPANHA | 2015 | 15
Hugo (Francesc Garrido) es un psicólogo con una vida demasiado determinada por su timidez. Como psicólogo, Hugo escucha y dirige las reflexiones de sus pacientes, sin embargo, este rol terapeuta-paciente es una máscara con la que se esconde. En la sesión de hoy Esther (Olalla Moreno) le dice que deja sus sesiones, se levanta y se va sin dar ninguna explicación. Hugo necesitará encontrar respuestas, pues hay mucho que se oculta.
Hugo (Francesc Garrido) is a psychologist whose life is too influenced by his shyness. As a psychologist, Hugo directs and listens to his patients considerations. However, this therapist-patient role is just a cover to hide his true self. In her session of the day, Esther (Olalla Moreno) tells Hugo she decided to stop the therapy and then she stands up and goes away without any explanation. Hugo needs to find answers because he feels that something is going on.
Àlvar Andrés Elias (Barcelona 1984) se licencia en periodismo en el año 2007. Después de trabajar un tiempo en prensa y radio se matricula en la ESCAC, y se gradúa en la especialidad de dirección en el año 2015. Cuatro días de octubre, su corto de graduación, es una aproximación a un psicólogo que deberá superar su dificultad de comunicación motivado por el comportamiento de una paciente. Francesc Garrido y Olalla Moreno dan vida a unos personajes que en su obsesión podrían encontrar su tabla de salvación. Actualmente prepara nuevos proyectos y lee.
Àlvar Andrés Elias (Barcelona, 1984) has graduated in Journalism in 2007. After working for the press and the radio, he enrolled in the ESCAC School (Catalonia's Higher School of Cinema and Audiovisual). He graduated in the field of film directing in 2015. Four Days in October, his graduation short film, tries to approach the life of a psychologist who must overcome his communication difficulty triggered by one of his patients' behaviour. Francesc Garrido and Olalla Moreno embody characters whose obsession could actually be their last hope. Currently Àlvar is preparing new projects and he is reading.
https://www.facebook.com/cuatrodiasdeoctubre
DEPART AT 22 | WIEP TEEUWISSE | ANIMACAO | HOLANDAUTRECHT UNIVERSITY OF THE ARTS - WIEP TEEUWISSE - EGBERT DE RUITER – ANIMATION | 2015 |4
'Depart at 22' is a poetic animated short about growing old and the fear of losing the beauty of youth.
Depart at 22 é um filme de animaçao poético sobre o envelhecimento e o medo de perder a beleza da infancia.
DESMEMORIA | MÜLLER BARONE | FICÇÃO | BRASIL | 2014 | 5
Un hombre y una pérdida repentina de la memoria, pero irreversible. Somos una colección de experiencias y recuerdos que se puede perder cuando nuestro cerebro simplemente decida? Si los perdemos estamos vivos o no?
A man and a sudden but irreversible memory loss. Are we a set of experiences or only memories may be lost when our brain simply Decide? If we lose them, are we alive or not?
EL DUENDE | MARIA INES LOPES | FICÇÃO | MADRID | 2015 | 7
Mariana, una joven de veinte y tantos años, vive en Madrid con su rela
tivamente reciente pero increíblemente cercana amiga Pepa. Estas dos jóvenes extranjeras luchan en su vida cotidiana en busca de la adultez plena en la ciudad que tanto aman pero que no es la suya.
A lo largo de un día más en Madrid, Mariana le cuenta a Pepa sobre “ el duende", al cual acaba de cruzarse por la calle. El verano pasado, Mariana tenía constantes encuentros fortuitos con un desconocido con quien cruzaba intensas miradas pero nunca palabras, hasta que llegó el invierno y las coincidencias cesaron.
Mientras las amigas pasean por sus queridos rincones, calles y parques de Madrid, Mariana le describe a Pepa sus encuentros con aquel desconocido. Un cuento urbano sobre el azar, la conexión, el amor y la amistad.
www.facebook.com/elduendeshortfilm
EL LADO ROTO DEL TIEMPO | MANUEL ALCAIDE | ESPANHA DOCUMENTARIO | 2016 | 82
At age of 22, Tomás Golderos Chico, suffers his first outbreak schizophrenic. From there, his life will affect his family, their friends and even their own destiny. The only consolation from Tomás will be a typewriter and a few poems.
¿ESTAS ATENTO?: LA OTRA CARA DEL TDAHRODRIGO ABASCAL, ARTURO VILORIA, JUAN CERRADA | DOCUMENTÁRIO | ESPANHA 2016 | 45
Documental elaborado por Humanistas de Carabanchel sobre el TDAH (Trastorno Deficit de Atención e Hiperactividad). A través del desarrollo del documental, se tratan de aportar diferentes puntos de vista. Asimismo se denuncia el abuso de la medicación con el que se trata a los menores, el metilfenidato.
FADE| AINHOA RODRÍGUEZ LÓPEZ | ESPANHA| 2016 | 6
Conchita, a conservative and septuagenarian woman, returns home after cremating her husband. She is fed up with the suffocating social norms that have surrounded her, so she decides to break free. Meanwhile, a menacing shadow roams the house as the only companion of her solitude.
HANDEN | STEFANIE KOLK | FICÇÃO | HOLANDA | NETHERLANDS FILM ACADEMY | 2016 |19
Uma mae jovem é uma rara e sortuda transplantada das duas maos. Ela ganha gradualemente o controlo sobre as maos. Enquanto a família e o seu médico estao felizes a Daniela percebe que as novas maos nunca serao dela mesma.
Young mother Danielle is the rare and lucky recipient of a double hand transplant. She gradually gains control over her donor hands. While her family and doctor are delighted for her, Danielle starts to realise that the new hands will never be her own.
For an optimal viewing experience, please use speakers or headphones while watching.
INFERNO | RICO MAHEL | ALEMANHA | FICÇÃO |2015 | 17
O apocalipse se aproxima mais e mais; as coisas ficam cada vez mais difíceis e Erik é obrigado a enfrentar seus pesadelos mais pessoais.
El apocalipsis se acerca cada vez más, se hace cada vez más fuerte y Erik es obligado a enfrentarse a su infierno más personal.
Rico Mahel nació 20st de mayo de 1989 en Güstrow, Alemania y creció en Berlín. Antes de dedicarse por completo a el cine, completó una aprendizaje para el foto diseño 2008-2011 en Lette Verein Berlín. 2011, Rico Mahel he recibido el premio de fotografía (apreciación) del OPUS Kulturmagazin por su obra "Soma". Todavía en su aprendizaje para la foto diseño, comenzó a darse cuenta de sus primeros proyectos cinematográficos (principalmente de ficción). Desde 2011, estudia Dirección en la Academia de Cine y Televisión de Berlín dffb.
Erik suffers from severe nightmares and daydreams. He's been haunted by visions of an apocalyptic inferno - a great fire that leaves nothing behind. A therapist tries to find out what the fire is actually about to destroy. She enlightens the deepest corners of his soul.
Rico Mahel was born May 20st 1989 in Güstrow, Germany und grew up in Berlin. Before entirely devoting himself to film, he completed an apprenticeship for photo design from 2008 to 2011 at Lette Verein Berlin. 2011, Rico Mahel received the photography price (appreciation) from OPUS Kulturmagazin for his work “Soma”. Still in his apprenticeship for photo design, he began to realize his first (mainly fictional) film projects. Since 2011, he studies Directing at German Film- and Television Academy Berlin dffb.
https://www.facebook.com/infernoshort
LA VIE D´UNE ALTRE | SHELTON ARTHUR | FICÇÃO | FRANÇA | 2016 | 14
Isabelle sufre de depresión y vive confinado en su apartamento . Un día en su edificio se encuentra con Alison , una niña ciega pero animado . Su felicidad aparente llama la atención de Isabelle que pronto comienza a seguir a la mujer joven .
Suffering from depression Isabelle lives confined in her apartment. One day in her building she meets Alison, a blind but lively girl. Her seeming happiness draws Isabelle's attention as she soon starts to follow the young woman.
https://www.youtube.com/watch?v=XgAgNZybyGo
http://www.arthurshelton.com/lavieduneautre/
LUX | BERNARDO LOPES E INES MALVEIRO | PORTUGAL | FICÇÃO | 2016
Pedro, um escritor solit·rio, resolve embarcar num desnorteio imagin·rio para conseguir chegar ‡ ideia para o seu novo romance.
Bernardo Lopes È o realizador e argumentista da curta-metragem LUX. Fez parte da revista europeia Nisimazine como crÌtico de cinema no Festival Internacional de San Sebastian, em Espanha, e no Festival Internacional de Cannes, em FranÁa. Esta experiÍncia resulta num convite para ser jurado no Festival Internacional de Veneza, seccao Venice Days. Torna-se no representante portuguÍs do projeto 28 Times Cinema, promovido pelo Parlamento Europeu e pela Europa Cinemas. Na mesma ocasiao, È escolhido para embaixador portuguÍs do PrÈmio LUX. Realizou o document·rio YUAN YUAN, em Qingdao, na China, para o projeto Looking China que teve estreia mundial no FEST ñ New Directors New Films Festival 2015.
LUTO BRANCO | FREDERICO FERREIRA | FICCAO | PORTUGAL | 2016 | 12
As diferentes atitudes perante o amor, a perda, a fé e a procura pelo sentido da vida, reveladas pela convivência entre quatro personagens.
https://www.facebook.com/lutobranco/?fref=ts
MALINA | WALDEMAR OLDENBURGER | FICÇÃO | ALEMANHA | 2015 |12
A young woman, Malina (24) wakes up startled. She tries to remember. With a smile she gets up, gets in the bathroom and after that cooking breakfast in the kitchen. Meanwhile, she tells her boyfriend by her strange dream, but the situation is tense. Somewhat depressing is in between them. In the afternoon Malina irons alone the laundry and done some tasks. Then she meets in the park with her boyfriend. There she tried hopefully to convince him to spend with her a nice evening. She prepare all for a beautiful dinner. She is waiting for him. At the dinner, a dispute developed. Malina disengages and the situation escalates. It is clear now that Malina sits opposite nobody. She wakes up scared in her bed. It is located in a psychiatric hospital. The separation from her boyfriend has held her in a loop of memories of the last day with him. A liberating wines is the first step to let go.
Born: 07. March 1983, in Astana, Kazakhstan Nationality: German Director Waldemar Oldenburger grew up in the current capital of Kazakhstan. At age of 11 he moved with his family to Germany. Here he went to school and studied computer science economy. He loved movies and saw everything he could find at home. At 17 he began to write songs and formed a band with. But the music was not all about for him. With 25 years, he discovered photography and fell in love with the imagery. The first small experements with filmmaking, were for his band. Thus arose music videos. In 2014 he decided to make his first short film. So Malina was born. He did the whole film without any proffessional knowledge about short films. From the idea to the finished film, it way an experience, that is real love.
MOBBING | MANUEL DIEGO ALFONSO | FICCAO | ESPANHA| 2002 | 12
O zelador de um colégio mostra de forma sistemática, dissimulada e geralmente sem testemunhas um comportamento humilhante e violento para com uma empregada de limpeza, com o objetivo de destruí-la psíquica e moralmente.
Ansiedade, medo, insonia, problemas digestivos e depressao sao os efeitos dessa perseguiçao sobre Susana.
Noutros casos, as consequencias do Mobing sao mais dramáticas, produzindo quadros graves de stress pós-traumático e suicídio.
O departamento de Saúde Mental diagnosticou que esta trabalhadora sofre de “reaçao mista ansiodepressiva prolongada”, instaurando-se tratamento com ansiolíticos, anti-depressivos e psicoterapia de apoio…
MUSAWAT INCLUSIÓN EN LOS CAMPAMENTOS SAHARAUIS | DARWIN DIKO CANAS BETANCOURT | DOCUMENTÁRIO | VENEZUELA | 2015 | 20
The story is based on personal experience gathered during a day at the Center for Integrated Education for disabled children located in the Saharawi refugee camps in Algeria. The Polisario Front as representative of the Sahrawi people despite the precarious conditions in which people live and 40 years, promoted the inclusion as a way to avoid marginalization and discrimination of one of the most vulnerable populations within these territories are children with special needs. "Castro" is the man who devotes his life to fighting this beautiful project with all adversity: physical, psychological, social, economic, and even misunderstandings of their own society. The Saharawis are living (resisting) in one of the harshest deserts on earth, but Castro has the magic formula for the inclusion of these wonderful creatures in their society and the world: MUSAWAT, EQUALITY.
NAO HUMANO | HUGO MAGRO | DOCUMENTÁRIO | 2016 | PORTUGAL | 6
No Hospital de Bonecas, são recebidos diariamente vários pacientes, que após triagem recebem um número que os identifica, sendo de seguida armazenados até ao início do tratamento e recuperação.
Hugo Magro (1975), estudou realização no Instituto Restart, em Lisboa, entre 2011 e 2013. Realizou 5 curtas-metragens, exibidas em festivais nacionais e internacionais. Está envolvido no projecto "Arquipélago" - uma série documental sobre literatura - onde assume a realização e a edição. Tem realizado simultaneamente vídeos relacionados com eventos culturais no formato "teaser"/anúncio para internet e televisão.
NÓS E O MUNDO | ANILUPA ASSOCIAÇÃO DE LUDOTECAS DO PORTO | ANIMAÇAO | PORTUGAL | 2016 | 13`
O filme foi realizado por um grupo de alunos do Centro de Reabilitação da Granja que participaram nas oficinas de cinema de animação do Centro Lúdico da Imagem Animada Anilupa no âmbito do projeto “Também Nós”. São jovens em desvantagem social, nomeadamente em situação de risco, com deficiência ou com perturbações psiquiátricas em processos de recuperação.
O Centro Lúdico da Imagem Animada Anilupa (CLIA_Anilupa), valência da Associação de Ludotecas do Porto, é um equipamento lúdico, educativo, cultural e formativo que desenvolve um conjunto de modalidades de intervenção no âmbito da animação da imagem dirigido a instituições e população em geral, desde 1990. Atualmente a filmografia do estúdio estende-se a mais de 200 filmes realizados por crianças, jovens e adultos, provenientes de diversas instituições.
NOIVA | BERNARDO GOMES ALMEIDA | FICÇÃO | PORTUGAL 2016 | 6
Ana desperta e prepara-se cuidadosamente para o seu casamento.
Enquanto se maquilha e coloca o vestido de noiva, nostálgica, Ana relê o pedido de casamento de André.
O que acontece de seguida, é um acto de puro amor e coragem, perpetrado por alguém a quem o mundo nem sempre compreendeu.
Aos 18 anos decidiu tirar o Curso de Cinema, Televisão e Cinema Publicitário. Com mais de 12 anos de experiência na área audiovisual em Cinema (RPG, Quarta Divisão, Os Gatos não têm Vertigens, Sei Lá, Gelo, O Pátio das Cantigas, etc), Ficção Televisiva e Publicidade, continua a levar a adiante a sua
vontade de realizar. Após as curtas-metragens “Por Linhas Tortas”, “Weakest Part”, “Projecto V” (Vencedora do Prémio de Melhor Filme PFShortfest), “Contactos 2.0” (Selecção Oficial MotelX 2014, Vencedora Mensal Shortcutz Xpress Viseu e Shortcutz Xpress Faro), “MARTA” (Melhor Ficção Nacional Leiria FilmFest, Vencedora Mensal Shortcutz Porto, 2oLugar FICSAM 2015, Melhor Actriz FICI 2015) e a curta-metragem “MOS”. Em 2016 decide realizar a curta-metragem "NOIVA". À realização de filmes junta também a escrita de argumentos, com alguns projectos já em pré-produção para o ano corrente.
O MAL E A ALDEIA | DIOGO LIMA E DAVID SERODIO | UNIVERSIDADE LUSÓFONA DE HUMANIDADES E TECNOLOGIAS | FICÇÃO | PORTUGAL | 2016 | 11
Esta é a tragicómica história de Pedro, um jovem da cidade que vai de viagem até à aldeia de Carrascos para visitar Rosa, a sua namorada de longa data. Pilar, uma velha beata que por lá se encontra, acaba por espalhar um rumor pela aldeia até chegar à oficina de José Fontes e este pega na caçadeira. E toda a gente sabe o que acontece quando José Fontes pega na caçadeira.
O RESTO È SILENCIO | MABEL LOPES | BRASIL | FICÇÃO | 2016 | 14
Num mundo de silêncio e poucas palavras, um menino tenta dizer “eu te amo”.
https://www.facebook.com/curtaorestoesilencio/?fref=ts
O SEGREDO SEGUNDO ANTÓNIO BOTTO | RITA FILIPE E MARIA AZEVEDO| PORTUGAL | UNIVERSIDADE LUSÓFONA| 2012 |10
O Segredo Segundo António Bottoconta a história de uma relação entre os poetas Fernando Pessoa e AntónioBotto. No dia em que António Botto sugere a Fernando Pessoa uma trocade cartas de amor fictícias, a ficção e a realidade começam a confundir-se. António Botto não sabe se começa a apaixonar-sepor Fernando Pessoa ou pelo seu heterónimo Manuel de Andrade.
Dois poetas, António Botto e Fernando Pessoa, trocam cartas de amor fictícias entre si. Fernando escreve sob o heterónimo Manuel de Andrade e Botto escreve a título próprio. Mas as cartas começam a ganhar uma dimensão importante na vida de cada um.
The Secret by António Botto tells a story about a relationship between the poets Fernando Pessoa and António Botto.On the day that António Botto suggestest to Fernando Pessoa an exchange of fictional love letters, fiction and reality start to colide. António Botto doesn’t knowif he’s falling in love with FernandoPessoa or his heteronym, Manuel de Andrade.
OPHIDIOPHOBIA | LUIS BRUNO RIBEIRO | FICÇÃO | 2016 | PORTUGAL | 6
A day in the life of a person who is afraid of snakes, however the end of this day will be different ...
Um dia na vida de uma pessoa que tem medo de cobras, no entanto o final deste dia será diferente..
OUTSIDE SIGNS | REEM AL MOHTAR | DOCUMENTÁRIO | PORTUGAL | 2015 | 16
Documentário filmado durante os ensaios da performance "Signos do Fora", uma criação do Teatro do Sotão, coletivo de artes cénicas do Fórum Sóio-ocupacional de Faro da ASMAL - Associação de Saúde Mental do Algarve.
In a world full of uncertainty, where chaos invades our lives and minds causing oppression and depression, leaving us lost with questions of existence,
What is normal and what is not?! What is important and what is not?!...
Only one place can break the limits to take us from the circle of labeling with no judgments, where these questions will not matter any more; a space to reveal and release all the pressure inside ... A Theatre stage.
Young Lebanese director studied Social science between 2007 and 2009.Graduated from the Lebanese University with a bachelor degree in Audio-Visual Studies in 2010.Started working as an editor for TV Programs and documentary films in 2011,Then switched to work as a freelancer assistant director and Décor supervisor in several films and TV series.In 2014 she participated in Outbox Short Film workshop where the synopsis of her short film “Portrait” won to be produced and filmed in an aim to be screened at Outbox Short Film Festival in Beirut and Germany.In 2015 she filmed her 2nd short film “Outside Signs” in Portugal- Faro.
SETE PECADOS MORTAIS | MAFALDA GAMEIRO | DOCUMENTÁRIO | PORTUGAL | 2014| 105
Sete histórias de sete pessoas que, durante vários anos, viveram experiências terríveis ao cometerem um dos sete pecados: Gula, Avareza, Inveja, Vaidade, Preguiça, Luxúria e Ira.
Todas as reportagens têm um enquadramento científico e são reveladoras de como é possível ultrapassar comportamentos extremos.
THE BEGINNING | VLADIMIR TSARENKO | FICÇÃO | RUSSIA | 2016 | 3
A failed suicide attempt became the beginning of a long and happy life.
THE GIFT | DOYTCHINOV SVET | FICÇÃO | CANADA EUA | 2014 | 29
This is the story of Angel - a cab driver, who meets an elderly couple on his last call for the day. The absent looking old man suffers from Alzheimer's and his broken photo camera seems to be his only link to the present. The events that unfold will make Angel and the elderly couple spend a few hours together and will bring back memories and hope long lost.
TODOS VOLAMOS | JOSÉ CABRERA BETANCORT | DOC | ESPANHA | 2016 | 60
We All Flew. A group of people take part in a theatre course as a therapy for their mental illnesses. Their objective will be to put on a theatre play together inspired by One Flew Over the Cuckoo´s Nest. They will take us on a journey which mixes the fiction with the reality created by their own minds.
Todos volamos. Un grupo de personas comienzan un curso de teatro como terapia de sus enfermedades mentales. Su objetivo será representar una obra inspirada en 'Alguien voló sobre el nido del cuco' y juntos nos invitarán a un viaje que mezclará la ficción de las tablas con la realidad creada en sus mentes.
Jose Cabrera Betancort holds a Bachelor's degree in Audiovisual Media at Universidad Complutense Madrid. "Yo te prefiero" (2008) was his first short film. It won the 1st prize San Borondón in El Festivalito from La Palma, 2nd prize in Cruzarte and Canary Goverment Prize besides being selected in more than 15 film festivals. Cahiers du Cinema Spain (now Caiman Cuadernos de Cine) picked "Vertigo50" as one of the best Spanish shorts in 2009. His documentary work "When in Bucharest (Do as the Romans Do)" premiered in DocumentaMadrid and it was selected also in competition at Alcine, Rio de Janeiro, Toluca, and it was awarded as best editing at Aguilar de Campoo. He was an artist in residency at RAER (Rome) and TEA (Tenerife). He is also the director of "La caja de Medea" (M
edea ́s Box), "Dársena" (Dock), "Cemetery 35" and "Un indie muy mainstream".
UMBRA | PEDRO RENCA | PORTUGAL | DOCUMENTÁRIO | 2016 | 20
Rute tenta encontrar um equilíbrio entre a sua saúde mental e o mundo que a rodeia. Umbra, uma égua de raça frísio, é o seu maior apoio emocional. Após ter sido diagnosticado um tumor sarcoide a Umbra, a intervenção cirúrgica para a sua remoção torna-se a única solução viável.
Rute entra num quadro de ansiedade e tristeza profunda. Nasce, assim, um jogo onde Rute e Umbra se vão amparar mutuamente nas suas tormentas e incertezas.
Agora, Umbra, com três anos de idade, ainda recupera junto de Rute, ali, naquele lugar singular em que as inquietações de uma sociedade desestruturada são colocadas de lado e se reencontra o perfeito equilíbrio.
Pedro Renca Enfermeiro Especialista em Enfermagem de Saúde Mental e Psiquiatria Centro Hospitalar universitário de Coimbra- Pólo Sobral Cid e Mestre em Toxicodependência e Patologias Psicossociais.
UN ALTRE SIGARETTA | CATERINA SALVADORI | FICÇÃO | ITÁLIA | 2016 | 7
The portrait of a young generation affected by the economical crisis is brought through the eyes of a twenty four year old girl. She retraces the main steps of her life from her birth to the passage into adulthood, facing the contradictions of our society. The goal she set for her existence is to improve the world, but she soon discovers that to be faithful to her purpose she has to take drastic measures.
Caterina Salvadori is a Italianwriter and director, born in 1991. Shegrew up in a family of painters and since a veryyoungageshededicatedherself to variousforms of art, from theatre to finearts and developed a passion forfilmmaking.
Shegraduated in Arts, Music and Performance Studiesat the University of Bologna. In 2012/2013 shecompletedheruniversitystudiesat the prestigious Film School of the University of California, Los Angeles (UCLA), wheresheintegratedheracademicexperienceintegrating academic education withlearningexperiences on film and television sets.Shewrote and directed short films, music videos and commercials.Currently, she is doing a Master in Film & TV at University of Bologna.
UNA AVENTURA DE MIEDO | CRISTINA VILCHES | ESPANHA ANIMAÇAO | 2015 | 10 MÁSTER OF BOOK ILLUSTRATED AND AUDIOVISUAL ANIMATION VIGO
If one nigth your fears decide to visit you, don´t let them go! Something extraordinay could happen to you...
Si una noche tus temores deciden visitarte ¡ No huyas! Algo extraordinario podría sucederte...
https://www.facebook.com/unaaventurademiedo
http://holamellamochivi.wix.com/chiviart
VAZIO | BRUNO GASCON | FICÇÃO | PORTUGAL | 2016 | 19
Dados da Organização Mundial da Saúde (OMS) indicam que 340 milhões de pessoas em todo o mundo sofrem de depressão. Isto representa cerca de 850 000 suicídios por ano.
A OMS também adverte que 75% das pessoas com depressão não recebem o tratamento adequado.
Assim existem cada vez mais pedidos de ajuda de pessoas sozinhas, deprimidas e com pensamentos suicidas.
"Vazio" é a história de um homem de meia-idade que perdeu tudo e se depara com o mais esmagador de todos os males: o Vazio.
Data from the World Health Organisation (WHO) indicates that 340 million people worldwide, suffer from depression. This represents approximately 850 000 suicides a year. The WHO also warns that 75% of people with depression don't receive adequate treatment.
There are more and more requests for help from people alone, depressed and with suicidal thoughts.
'Vazio' is the story of a middle-aged man who has lost everything and is faced with the most overwhelming of all evil: the emptiness.
WE WILL NEVER BE ROYALS | MEES PEIJNENBURG | FICÇÃO | HOLANDA | 2015 | 40
What Tomas, a withdrawn seventeen-year-old and his fiery sister Naomi would really like to get out of life, is hard to find in the tough world of Child Protection, in which they just about manage to hold their own. After a dramatic incident, they gradually realise what their most important source of support is. They will never be Royals, but as a brother and sister they have each other.
WHERE DID YOU GO | JOSEPH JONES | REINO UNIDO | FICÇÃO | 2016 | 20
Short focused upon Lewy Body Dementia and was funded by charities within this area of mental health.